Cochrane, Wagon Train, 1930’s American. This large painting was on a very flimsy strainer, and needed a new support. It was also discolored from nicotine and aged varnish. The painting was attached to a new stretcher, then was cleaned and re-varnished.

Charles Bertrand D’Entreygues, Kitchen Boys Playing Cards. This painting on wooden panel had an old split, a heavy discolored varnish layer, and dust. The varnish was removed, then the painting re-varnished and losses in-painted with reversible, conservation-grade paints. A new signature was discovered during cleaning.

Rami Uluer, Istanbul from the Water. This large painting had suffered structural damage due to water severely warping the painting’s stretcher and frame. The painting was removed from its damaged stretcher, then deformations were removed. It was attached to a new stretcher, then cleaned and small areas of damage were in-painted.

Rebecca Sharpe, Feeding the Ducks, 1930’s, Before and After Treatment. The painting was cleaned, re-varnished, and old damages and stains were in-painted.

Thomas Moore, by an Unknown artist (American 1780’s), Before and After Treatment. The painting suffered from water damage, had an old tear with an old canvas patch, and was very loose on its strainer. It also had a degraded varnish, causing a patchy sheen. The strainer was replaced, the old patch was removed, and planar deformations were removed. Then the painting was cleaned, paint losses were filled, a fresh varnish was applied, and paint losses were in-painted to match the surrounding paint film.